FAQ AND TECH TIPS
Here are some common questions answered about our products. If you don't find what you are looking for, please do not hesitate to email with your questions.
Switchblade FamilyQ: Why do I need a switching system like the Switchblade.
A: Three words: flexibility, organization, and creative control. A switching system serves as the central hub of your
rig. Our products allow you to route and reroute connections between
your gear on the fly without ever touching a patch cord, providing a
degree of flexibility that's unheard of in the world of wires. Switch
the order of effects on the fly; run in series or in parallel
alongside an unprocessed signal. It's like having the best "virtual
pedalboard" features of today's top digital gear without being stuck
in a one-box-does-it-all effects situation (cause you know you love
Next, a switching system provides an easy way to keep your setup and sounds organized. Our products allow you to wire your gear in advance and save preset scenes of each setup you "invent". There's even a feature for adjusting the overall level between your programs to help you be balanced. Your band and the audience will be blown away at how together you've gotten.
Finally, a switching system is really all about control-- a kind of creativity that's just not possible otherwise. With our products, you can create any number of interesting effects "configurations" to finally achieve the sounds you've always wanted; improve the integrity of your tone while opening the door to imagination. A Switchblade is like a blank piece of graph paper you can use to design the ultimate effects/mixing rig, again and again and again. With MIDI in the mix to select scenes, and even adjust settings like mix, pan, volume, or balance on the fly, there is virtually no limit to what you will accomplish.
If you're interested in learning more, visit the Switchblade pages, or check out the list of pro artists who are using our products for the flexibility, organization, and control they provide.
A: The main differences lie in the capacity and features of the models offered. The Switchblade GL supports 16 inputs and 16 outputs, while the 8 and 8B have eight of each. The GL and the 8B have fully balanced inputs and outputs, which can be VERY nice to have if you are using any 'pro grade' rack gear (or if you hope to avoid ground loops). Other than that, all switchblade models offer the same great features like realtime midi control, preset memories, . For more on the similarities, see our page on Switchblade "family" features.
A: VERY extensively! The basic operating mode allows you to summon Switchblade preset scenes via midi program changes, and every scene can employ two realtime (CC) controls to vary the I/O level of any patch. In Sysex mode, the unit becomes completely midi controlled, with options to make or break every connection, vary levels, and more. Download Switchblade manuals for an in-depth exploration of this topic and the complete midi spec.
A: The Switchblade is an ALL ANALOG audio router. It is digitally controlled, but the audio path is 100% analog (just like YOU and your GUITAR!)
A: The quality of the audio paths in the Switchblade is extremely high. Ultra low distortion and noise as well as an extended bandwidth well into the supersonic range assure that the not only flawless audio passage but very low phase shift to make the signal look like it’s going through no more than a simple audio cable. The audio paths are always short and direct from any input to any output regardless of the complexity of the preset.
A: Controlled feedback is usually performed by holding a guitar in front of an amplifier so the audio from the amp can vibrate the strings and guitar body and sustain the loop causing a controlled wail. Although you cannot get exactly the same effect using an all electronic loop, you can get some seriously interesting feedback effects using just the Switchblade and attached effects. See the applications section for details about how to create electronic feedback loops.
A: Yes. More and more top artists have finally discovered the Switchblade and install them in their touring rigs and session rigs. Some of these artists have informed us that they don’t know how they got by without the Switchblade switching system.
A: Yes. To do this connect a cable from the SEND of the head to an input on the Switchblade and another from an output on the Switchblade to the RETURN on the head. Name the input and output something like HEADLOOP on both the input and output. To insert any effects into the loop, simply include the loop in your connections. For example, HEADLOOP->REVERB and REVERB->HEADLOOP will insert your reverb to the FX loop on the amp. Other effects can go before the input at the same time using the usual methods. CAUTION: If you are not inserting an effect into the head loop, then you must always remember to connect the loop anyway by doing a HEADLOOP->HEADLOOP connection. The reason you need to do this is because by inserting a cable into your head loop, you break the audio circuit, so you must connect it in the Switchblade.
A: Ground loops are literally audio ground pathways that form a loop. These loops can cause a buzzing noise. The most common ground loop occurs if you are using more than one amplifier since a potential loop exists between the AC power line ground and the audio ground of the two amps. Using the special Amp Lift Cable shown below, you can use your balanced Switchblade to break these loops and eliminate the buzz.
NOTE: If you are using a Switchblade with UNBALANCED outputs, this cable will do nothing. We may still be able to help with a solution however; contact us for more information.